Silver-face cosmetics, the Bandmaster Reverbs from that period have a Time period is considered a real gem … basically a blackface amp with
That CBS brought in to REPLACE Leo Fender (who had volunteered to stay on) wasĪ real big name electronic engineer, but didn’t know a guitar amp from a toiletĪnd so it is that while every other aluminum drip edge Fender from that In this book Forrest mentions that the head engineer Just finished reading Forrest White’s book: Theįender Inside Story. The 1968 Bandmaster Reverb bears the unfortunate title of being the and so on … that’s most decidedly NOT a Bandmaster in With digital signal processing, Chinese PCīoard construction, etc. Not even on my radar as far as a Bandmaster goes. Okay, there is the new Bandmaster VM, but that’s One member of the Bandmaster family that sometimes goes unloved: The Models to the quintessential tight sparklyīlackface tone of the blackface Bandmasters, there’s a whole lotta love in the Bandmaster Although these amps run the gamut tone-wise ,įrom the super-woody raw no negative feedback sound of the early tweed Silver-face models that began in 1967 and ran through the early 1970’s. Or a trio of 10’s, the short lived (1960 only) brown combo, the fabled blond,īrown, and blackface “piggy-back” heads of the 1960’s, and finally the From very early tweed models with a single 15 Through several metamorphoses in their lengthy lifespan. Like most of the classic Fender amp models have existed for decades, and have went
A Little Love for the Fender Bandmaster Reverb
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